La Storia

Domenico Cimarosa

The Conservatory of Music “Domenico Cimarosa” of Avellino was established under decree No. 1178 of 18 December 1973, as the result of the strong determination and high political sensitivity that characterised the academic year 1971-1972.

Maestro Vincenzo Vitale was the first appointed director, and Maestro Ettore Maggio took up as the first chair. The Conservatory was initially housed in the majestic Palazzo Caracciolo in the historical area of Avellino, near the Cathedral. The building was partly in disrepair, so only 200 students were admitted out of the 850 who submitted an admission application. So many applicants had not been foreseen at all, and every effort was made to guarantee everyone the right to study. So, the Conservatory came to life, and soon became an important artistic and cultural reference point for the entire province.
In early years, Maestro Aladino di Martino, and Maestro Bruno Mazzotta succeeded each other as directors. The two artistic personalities gave a strong imprint to the Conservatory, which came to the forefront of the attention of the national and international musical and cultural scene thanks to their effort. Palazzo Caracciolo was almost destroyed by the earthquake in 1980, and from then onwards, the Conservatory embarked on a stormy journey.

For a short period of time, it was housed at the Istituto d’Arte in Tuoro Cappuccini, then moved to the lower secondary school F. Tedesco on Via Fontanatetta, close to the railway station of Avellino, and later to a heavy prefabricated building in Rione Parco. Finally, the Government of the United States of America donated the building on Piazza Castello, Via Circumvallazione no. 156, to the Municipality of Avellino, where the Conservatory is now located.
In the meantime, Maestro Zigante, Maestro De Gregorio, and Maestro Panariello followed one another as directors. From 2005 to 2011, Maestro Carmelo Columbro skilfully directed the Conservatory, while from the following academic year, Maestro Carmine Santaniello took up.
Valuable and skilful teachers followed over the years, whose artistic preparation contributed - and still contributes - to giving a strong imprint to the educational and concert activities.
Parallel to this, the musical and concert activity continues to thrive. The music school had a timid start in 1971, but gradually developed and has now a solid grounding; it is currently a point of reference for the town and a milestone in Avellino’s cultural growth.

The two-floor building where the Conservatory is currently located, is a university campus with over 50 soundproofed classrooms for educational activities, a multimedia laboratory, a music instrument room, a library, a 400-seat auditorium with a stage where also large-scale opera productions can be performed (the “orchestra pit” is electrically operated), a logistics area where only offices are located, an indoor and an outdoor gymnasium, a private parking area, internal courtyards and several students’ areas. Moreover, the Conservatory “Cimarosa” has its own publishing brand and its own recording studio for music publishing. Over the past four years, it has benefited from specific funding from the Italian Ministry for University and Research, which has hugely enhanced its instrumental equipment and book holdings.

With the establishment of the Higher Education in Art and Music (AFAM) sector, the Conservatory is now acknowledged a university institute just like other equivalent institutes in the rest of Europe. This is an important phase in the complex process of renewal and reforms that has the main objective of improving students’ university careers and their integration into the labour market. To this end, the ERASMUS programme is implemented through bilateral agreements with the aim of fostering the mobility of students and teachers, as well as staff training at other European institutions, such as Conservatorio Superior de Musica in Malaga (Spain), Conservatoire Regional de Dijon, Boulogne-Billancourte, Strasbourg (France), Voralberger Landeskonservatorium-Feldrkirch (Austria), Krakow, Lodz (Poland), Stockholm (Sweden). As a result of these important relations, the International Academic Orchestra of the Conservatory “Cimarosa” was set up in 2009, in collaboration with the students from the Conservatories of Dijon, Malaga, Athens and Krakow. The new Arena of the “Carlo Gesualdo” Theatre in Avellino was inaugurated with this ensemble. Moreover, agreements have also been sealed with important American universities and with the People’s Republic of China.
Also with regard to the educational activities, alongside the 131 courses of study implemented under the old regulation of the Italian university system, the new Level 1 and Level 2 courses are delivered, together with particularly innovative courses that are more in line with contemporary musical needs, such as Jazz Music, Electronic Music, Sound Technician, Fortepiano, Repetiteur and Korrepetitor, Historical, critical and analytical music disciplines, and Chamber Music.
In addition to its intensive educational and training activities, the Conservatory “Cimarosa” of Avellino is very much committed to artistic production and to the dissemination of musical repertoire.

As far as the latter are concerned, noteworthy are the essential venues reserved for students’ performances (such as concerts), as well as the productions aimed at specific musical celebrations, teachers’ projects, musical performances during seminars, conferences, publications, masterclasses.
For several years, the Conservatory has also promoted two thematic reviews: Il Cimento dell’Armonia e dell’Invenzione (dedicated to the great repertoire of Baroque music), and All’ombra del Castello (summer review of outdoor music). It also collaborates with the “Carlo Gesualdo” Theatre of Avellino for the staging of symphonic and opera seasons and fosters several initiatives with an extensive concert programme throughout the Campania region and nationwide, which are always staged with the help of its internal forces (students and teachers).
Profitable agreements were also sealed with the San Carlo Theatre of Naples, the Ravello Festival, the Festival delle Ville Vesuviane, and the Leuciana Festival. A partnership with Expo-Scuola, as well as a training course on Naples’ musical tradition of the 18th century, supported by the Campania Regional Government and the European Union, under the National Orientation Project, and funded by the Italian Ministry for University and Research, were also successfully completed. Moreover, another important project accomplished with the Campania Regional Government led to the creation of the Politecnico delle Arti, and on top of this, the Conservatory is the only institute of this kind in Italy to have reached the milestone of establishing the Radio d’Ateneo.
 
 
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